Now we have the buildings, let's make this city alive.
We can add some trees, cars and little guys walking around.
Let's start with the trees.
I just duplicate them, it contradict and move them around sitting on the lines.
Has the little island still turned off whenever I scale a tree to make them a bit different, to make
them bigger and smaller than the other ones, to make them a bit looking, you know, random.
So whenever I scale them.
The lines are still the same with.
I don't play again.
I have to remove this part of the line if I want the tree to overlap and be in front of the building,
I do the same as I did before.
These three, I can make a bit smaller and we're pushing age, I flip it.
No, I had some cards.
I make this one a bit longer, but to nodes and again, make a gap, duplicate the car again with Conradi
and seated here.
And now let's put some people here and there.
This is the part I love him, Victor, because it's like playing with little puppets, it's really like
building your Legos.
Maybe I put another person here and flip it like they are shaking hands or holding hands.
You see, this is what the illustration is about, in my opinion, is about building stories, even
if it's with such simple things as these.
I can put these aside now.
And now I select everything.
And made the lines a bit thicker, so adjust the thickness of the stroke.
Maybe a bit too much.
OK.
Nice.
The only thing is missing here is maybe a son.
I removed the feel is just a simple circle.
Now, I duplicated.
And withholding shift and control, I grow it.
Now I convert it to a path cell like these nodes and remove a part of the part again, double click
to add the new node.
And remove a part of the.
Again, here I select even the three, and it works still why I did this, because I wanted to have
circler sunrays, not the usual sunrays vesi on drawing's.
It's like a hot summer sun.
I grew it up so I can move it, and now I create some little clouds here and there.
Just how we deal with the car.
These crowds are even more rounded and then I go to Perth Union.
And merge them into one.
Let's kill them and position them.
I duplicated and flip it with age, so I flip it horizontally.
And I can play with it, making short, making longer just to create a different cloud from the one
I had before, I put a little circle here and merge it together with the union.
To have a different shape of a cloud.
Nice, I have my little city, I'm fairly satisfied.
I hope you like yours, too.
Now, I select all of the objects and we control a group them up.
It's a huge drawing, scale it down a bit.
But now the lines seem thicker, so I make them a bit lower.
You see, this can be also applied to groups or a group of selected objects, great.
So now it looks how I want it to look and this is a day scene, how about creating one in the night?
So let's duplicated.
And receive control, gee, I put the group apart and my first move is to remove the son.
Actually, I just remove this altering, duplicate the sun, make it smaller.
Put the little circle over the previous one.
OK, zoom, zoom in so you see better.
OK, I like both of the circles and we part.
I got it off.
Now I have a nice moussab.
I had some very little circus.
When you hold an object and move it around and put space, you can stamp it around one by one.
I just group everything together.
And we shift clicking eye color, all the outlines right now.
Don't be afraid they didn't disappear.
They are just not visible on a white background.
So let's draw a blue square behind.
A rectangle.
Standing behind with this icon or pushing the key and now my little niceties visible, let's select
a few of the windows.
And light them up with some right color and now it's very interestingly, my little people are white
for some reason.
Let's remove the field from there.
OK?
And now I have a nice image about the same city in daylight and the night.
I hope you enjoyed creating these simple geometrical city, and in the next lesson, we will make something
even more interesting.